Boko Haram Is The Elusive Master Mind Behind The Islamic...

The group, Boko Haram, was created 14 years ago by Mohammed Yusuf (1970-2009) to create and pure Islamic state in Nigeria. With the development in technology over the last ten years the internet has become a freeway of information. This has created the perfect opportunity for terrorist groups to blossom and spread their messages to lands far away from their previous reach. Mohammed Yusuf Ideals were focused on making Nigeria a â€Å"pure Islamic State†. In 2009 police found and killed him which with media access in the 21st century was filmed and posted online causing an uproar within the group causing escalated attacks and bombing in Nigeria causing the start of what is known as the rensurgence that started in 2011. The main targets for these†¦show more content†¦The fact the Nigeria’s poverty has always been an issue has not helped with stopping the terrorist organization. The National Bureau of Statistics has said that â€Å"60.9% of Nigerians in 2010 were living in absolute poverty- this figure had risen from 54.7% in 2004.† The worst of the poverty is in Northern Nigeria where the Boko Haram has taking large amounts of land over. In 2003, shortly after the first formation of the Boko Haram, Nigeria’s second-term president, Olusegun Obasanjo was declared winner of the election amid claims of fraud and intimidati on during the election which further divided the country. Since then there has been multiple presidents one of which goes by the name, Muhammadu Buhari, who in 2015 accused his security advisor of stealing nearly 2 billion that was suppose to go to the militaries effort to fight the Boko Haram. This weakness within the government over the past fourteen hasn’t helped decrease the Boko Harams death tolls or violence in Nigeria. In 2009, attacks escalated and the Boko Haram became its most powerful self, the group launched itself forward into terrorism with attack such as: â€Å"dozens of massacres of civilians and the abduction of more than 500 women and girls in its five-year insurgency in Nigeria. When a suicide bomber dressed as a student infiltrated a high school in northern Nigeria on Monday and detonated explosives in a backpack,

Main Characters In Cathedral By Raymond Carvers Cathedral

The title of the story is â€Å"Cathedral†, which was published in 1983. The author of the story is Raymond Carver who was an American, born in Oregon, that lived from 1938 until 1988. There are three main characters in the story. There is the husband, who was not named, that narrates the entire story. He seems to be very jealous of the blind man and uneasy about his visit to his home. There is the wife, who is also unnamed, that is very excited for the blind man to visit her home since she has not seen him in years. She is insistent that her husband be a good host and treat her guest with dignity and respect. Last, we have the blind man named Robert. He is an easygoing and caring man whose wife has just died. Robert seems to be able to care†¦show more content†¦Once complete with dinner they all moved into the living room for more conversation, more drinks, to smoke some marijuana, and watch some television. After a while, the wife falls asleep on the couch and leave s Robert and her husband awake to talk amongst themselves. The two of them end up watching a program on TV about the church and the middle ages where they are showing and discussing cathedrals. The blind man then asked the husband to describe to him what cathedrals looked like. The husband was having a hard time describing them to the blind man in an effective way, so the blind man suggested that they draw one together. The husband grabbed some heavy paper and a pencil and sat down to draw the cathedral. The blind man put his hand over the hand of the husband as he drew the cathedral on the paper so that he could feel what he was drawing. The blind man then had him close his eyes and continue to draw the cathedral. The story ends when the blind man tells the husband to open his eyes and tell him how the drawing ended up. The husband kept his eyes closed and said, â€Å"It’s really something.† The style and language of the story is very simple, clear, and very easy to u nderstand. Some would call it â€Å"minimalistic†, even though Raymond Carver does not care for this term at all. His writing is very lean with little excess. An example of this is when the exchange of the audio tapes is discussed. TheShow MoreRelatedAnalysis Of Raymond Carver s Cathedral852 Words   |  4 PagesIn Raymond Carver’s short story â€Å"Cathedral,† a blind man named Robert visits a man and his wife in their home for a short period. In the beginning, the husband is very rude to Robert due to his inability to see. However, by the end of Robert’s stay, the husband realizes that he is quite far from being a blind fool. By analyzing the theme, character, and conflict of the short story, the reader will be able to better understand what messages lay within Carver’s writing. First, by analyzing the themeRead MoreRaymond Carver’s â€Å"Cathedral† vs. Tess Gallagher’s â€Å"Rain Flooding Your Campfire†1575 Words   |  7 PagesRaymond Carver’s â€Å"Cathedral† and Tess Gallagher’s â€Å"Rain Flooding your Campfire† are good examples of intertextual dialogue between two writers. These two stories show us how two writers can grow and develop short stories differently from the same experience. There are similarities between the stories, such as the use of a first person narrator, the plot, setting, and also there is an interchange between the narrator and the blind man in both stories. But within these similarities there are alsoRead More Blind Faith in Raymond Carvers Cathedral Essay920 Words   |  4 PagesBlind Faith in Raymond Carvers Cathedral      Ã‚   In the story Cathedral by Raymond Carver, the main character, goes through a major personal transformation.   At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice.   Through interaction with his wifes blind friend Robert, his attitude and outlook on life changes.   Although at first he seemed afraid to associate with a blind man, Roberts outgoing personality left him with virtually noRead MoreThe Two Sides Essay1379 Words   |  6 Pagesthe choice of seeking out more of said idea or choosing to remain as is. Cathedral by Raymond Carver is a story that gives us a look into what it is like to have our views challenged through experiencing them first hand. We are introduced to the story by narration and we are given a brief summary of how his wife and the blind man had met from the narrrator. We learn that the blind man is named Robert, he is the only character that is named and described in the story. After the exchange of greetingsRead MoreAlcohol and Marijuana in Catherdral by Raymond Carver Essay963 Words   |  4 Pagesefforts from imposed laws: people feel the need to consume these substances and encage in behaviors out of the ordinary. Drugs and alcohol are used in the story â€Å"Cathedral† but also they are used in Raymond Carver’s personal life. Carver began drinking heavily in 1967 and was repeatedly hospitalized for alcoholism in the 1970’s. Carver’s minimum wage jobs, the demand of parenting and the need to bring money home led to his addiction to alcohol. Alcohol became a problem because carver was saddledRead MoreAnalysis Of Raymond Carver s Cathedral1696 Words   |  7 PagesIntroduction: Everyone has ghosts in their closets; something they are running from, or trying to bury alive. Cathedral, written by Raymond Carver, takes place in the early 1980’s. Originally published in The Atlantic Monthly in 1981. Carver slightly revised the story and re-released it in 1983. At a time when the blue collar working class lived paycheck to paycheck, working hard for newfound luxuries such as color television, this short story is humorous and eye-opening for the reader. For adultsRead MoreAn Analysis Of Cathedral By Raymond Carver1441 Words   |  6 Pages Cathedral Research Paper The short story â€Å"Cathedral†, by Raymond Carver, is a thought provoking piece that focuses on the transition a man goes through to see the world with his soul. The story gives hope that people can change if given the chance to be better people. Over the course of the story, Carver uses both diction and description to explore themes in religion and morality. â€Å"Cathedral† depicts a husband and a wife as they prepare and entertain a friend of the wife. The husband, the narratorRead More Disjunction versus Communion in Raymond Carvers Short Stories3821 Words   |  16 Pages Disjunction versus Communion in Raymond Carvers Short Stories Raymond Carver, poet, essayist, and short story writer, was very different from some other writers in that he clipped his writing until only the essential remained. Carver not only acknowledged the effect that fiction could have on readers, he proclaimed that it should affect readers.( Bonetti 58) Thus, when Carver writes about intimate relationships, the reader perceives the stories as more than entertainment or skillfulRead MoreComparing Two Dramatic Comedies: Raymond Carver’s Cathedral and Guy de Maupassant’s The Jewelry827 Words   |  4 PagesA reader looking for a story where there is drama, but still humor will be satisfied with Raymond Carver’s Cathedral and Guy de Maupassant’s The Jewelry. Both have some form of wit developed through a plot structure that appeals to the most common of people. Carver presents a man who is so narrow-minded that he is unable to grasp the idea of knowing a person who is blind. Maupassant creates a story of a man who is blind to the fact of the true actions of his wife and the lies she construed duringRead MoreRaymond Clevie Carvers Life1256 Words   |  6 PagesRaymond Clevie Carver was born May 25, 1938 in Clatskanie, Oregon. Carver was raised in the Pacific Northwest by working-class parents. His father, Clevie Raymond Carver, was a sawmill worker, a fisherman, and a heavy drinker. He taught Carver to fish and hunt, and read him Zane Grey novels. Carver’s mother, Ella Beatrice, worked as a waitress and retail clerk. He had one younger brother, James Franklin Carver. At age 19, after graduating from high school, Carver married Maryann Burk. Maryann was

The Da Vinci Code Chapter 105 Free Essays

string(53) " is the quest for lost documents and secret history\." CHAPTER 105 Night had fallen over Rosslyn. Robert Langdon stood alone on the porch of the fieldstone house enjoying the sounds of laughter and reunion drifting through the screened door behind him. The mug of potent Brazilian coffee in his hand had granted him a hazy reprieve from his mounting exhaustion, and yet he sensed the reprieve would be fleeting. We will write a custom essay sample on The Da Vinci Code Chapter 105 or any similar topic only for you Order Now The fatigue in his body went to the core. â€Å"You slipped out quietly,† a voice behind him said. He turned. Sophie’s grandmother emerged, her silver hair shimmering in the night. Her name, for the last twenty-eight years at least, was Marie Chauvel. Langdon gave a tired smile. â€Å"I thought I’d give your family some time together.† Through the window, he could see Sophie talking with her brother. Marie came over and stood beside him. â€Å"Mr. Langdon, when I first heard of Jacques’s murder, I was terrified for Sophie’s safety. Seeing her standing in my doorway tonight was the greatest relief of my life. I cannot thank you enough.† Langdon had no idea how to respond. Although he had offered to give Sophie and her grandmother time to talk in private, Marie had asked him to stay and listen. My husband obviously trusted you, Mr.Langdon, so I do as well. And so Langdon had remained, standing beside Sophie and listening in mute astonishment while Marie told the story of Sophie’s late parents. Incredibly, both had been from Merovingian families – direct descendants of Mary Magdalene and Jesus Christ. Sophie’s parents and ancestors, for protection, had changed their family names of Plantard and Saint-Clair. Their children represented the most direct surviving royal bloodline and therefore were carefully guarded by the Priory. When Sophie’s parents were killed in a car accident whose cause could not be determined, the Priory feared the identity of the royal line had been discovered. â€Å"Your grandfather and I,† Marie had explained in a voice choked with pain, â€Å"had to make a grave decision the instant we received the phone call. Your parents’ car had just been found in the river.† She dabbed at the tears in her eyes. â€Å"All six of us – including you two grandchildren – were supposed to be traveling together in that car that very night. Fortunately we changed our plans at the last moment, and your parents were alone. Hearing of the accident, Jacques and I had no way to know what had really happened†¦ or if this was truly an accident.† Marie looked at Sophie. â€Å"We knew we had to protect our grandchildren, and we did what we thought was best. Jacques reported to the police that your brother and I had been in the car†¦ our two bodies apparently washed off in the current. Then your brother and I went underground with the Priory. Jacques, being a man of prominence, did not have the luxury of disappearin g. It only made sense that Sophie, being the eldest, would stay in Paris to be taught and raised by Jacques, close to the heart and protection of the Priory.† Her voice fell to a whisper. â€Å"Separating the family was the hardest thing we ever had to do. Jacques and I saw each other only very infrequently, and always in the most secret of settings†¦ under the protection of the Priory. There are certain ceremonies to which the brotherhood always stays faithful.† Langdon had sensed the story went far deeper, but he also sensed it was not for him to hear. So he had stepped outside. Now, gazing up at the spires of Rosslyn, Langdon could not escape the hollow gnaw of Rosslyn’s unsolved mystery. Is the Grail really here at Rosslyn? And if so, where are theblade and chalice that Sauniere mentioned in his poem?† I’ll take that,† Marie said, motioning to Langdon’s hand. â€Å"Oh, thank you.† Langdon held out his empty coffee cup. She stared at him. â€Å"I was referring to your other hand, Mr. Langdon.† Langdon looked down and realized he was holding Sauniere’s papyrus. He had taken it from the cryptex once again in hopes of seeing something he had missed earlier. â€Å"Of course, I’m sorry.† Marie looked amused as she took the paper. â€Å"I know of a man at a bank in Paris who is probably very eager to see the return of this rosewood box. Andre Vernet was a dear friend of Jacques, and Jacques trusted him explicitly. Andre would have done anything to honor Jacques’s requests for the care of this box.† Including shooting me, Langdon recalled, deciding not to mention that he had probably broken the poor man’s nose. Thinking of Paris, Langdon flashed on the three senechaux who had been killed the night before. â€Å"And the Priory? What happens now?† â€Å"The wheels are already in motion, Mr. Langdon. The brotherhood has endured for centuries, and it will endure this. There are always those waiting to move up and rebuild.† All evening Langdon had suspected that Sophie’s grandmother was closely tied to the operations of the Priory. After all, the Priory had always had women members. Four Grand Masters had been women. The senechaux were traditionally men – the guardians – and yet women held far more honored status within the Priory and could ascend to the highest post from virtually any rank. Langdon thought of Leigh Teabing and Westminster Abbey. It seemed a lifetime ago. â€Å"Was the Church pressuring your husband not to release the Sangreal documents at the End of Days?† â€Å"Heavens no. The End of Days is a legend of paranoid minds. There is nothing in the Priory doctrine that identifies a date at which the Grail should be unveiled. In fact the Priory has always maintained that the Grail should never be unveiled.† â€Å"Never?† Langdon was stunned. â€Å"It is the mystery and wonderment that serve our souls, not the Grail itself. The beauty of the Grail lies in her ethereal nature.† Marie Chauvel gazed up at Rosslyn now. â€Å"For some, the Grail is a chalice that will bring them everlasting life. For others, it is the quest for lost documents and secret history. You read "The Da Vinci Code Chapter 105" in category "Essay examples" And for most, I suspect the Holy Grail is simply a grand idea†¦ a glorious unattainable treasure that somehow, even in today’s world of chaos, inspires us.† â€Å"But if the Sangreal documents remain hidden, the story of Mary Magdalene will be lost forever,† Langdon said. â€Å"Will it? Look around you. Her story is being told in art, music, and books. More so every day. The pendulum is swinging. We are starting to sense the dangers of our history†¦ and of our destructive paths. We are beginning to sense the need to restore the sacred feminine.† She paused. â€Å"You mentioned you are writing a manuscript about the symbols of the sacred feminine, are you not?† â€Å"I am.† She smiled. â€Å"Finish it, Mr. Langdon. Sing her song. The world needs modern troubadours.† Langdon fell silent, feeling the weight of her message upon him. Across the open spaces, a new moon was rising above the tree line. Turning his eyes toward Rosslyn, Langdon felt a boyish craving to know her secrets. Don’t ask, he told himself. This is not the moment.He glanced at the papyrus in Marie’s hand, and then back at Rosslyn. â€Å"Ask the question, Mr. Langdon,† Marie said, looking amused. â€Å"You have earned the right.† Langdon felt himself flush.† You want to know if the Grail is here at Rosslyn.† â€Å"Can you tell me?† She sighed in mock exasperation. â€Å"Why is it that men simply cannot let the Grail rest?† She laughed, obviously enjoying herself. â€Å"Why do you think it’s here?† Langdon motioned to the papyrus in her hand. â€Å"Your husband’s poem speaks specifically of Rosslyn, except it also mentions a blade and chalice watching over the Grail. I didn’t see any symbols of the blade and chalice up there.† â€Å"The blade and chalice?† Marie asked. â€Å"What exactly do they look like?† Langdon sensed she was toying with him, but he played along, quickly describing the symbols. A look of vague recollection crossed her face. â€Å"Ah, yes, of course. The blade represents all that is masculine. I believe it is drawn like this, no?† Using her index finger, she traced a shape on herpalm. â€Å"Yes,† Langdon said. Marie had drawn the less common† closed† form of the blade, although Langdon had seen the symbol portrayed both ways. â€Å"And the inverse,† she said, drawing again on her palm,† is the chalice, which represents the feminine.† â€Å"Correct,† Langdon said. â€Å"And you are saying that in all the hundreds of symbols we have here in Rosslyn Chapel, these two shapes appear nowhere?† â€Å"I didn’t see them.† â€Å"And if I show them to you, will you get some sleep?† Before Langdon could answer, Marie Chauvel had stepped off the porch and was heading toward the chapel. Langdon hurried after her. Entering the ancient building, Marie turned on the lights and pointed to the center of the sanctuary floor. â€Å"There you are, Mr. Langdon. The blade and chalice.† Langdon stared at the scuffed stone floor. It was blank. â€Å"There’s nothing here†¦ .† Marie sighed and began to walk along the famous path worn into the chapel floor, the same path Langdon had seen the visitors walking earlier this evening. As his eyes adjusted to see the giant symbol, he still felt lost. â€Å"But that’s the Star of Dav – † Langdon stopped short, mute with amazement as it dawned on him. The blade and chalice. Fused as one. The Star of David†¦ the perfect union of male and female†¦ Solomon’s Seal†¦ marking the Holy of Holies, where the male and female deities – Yahweh and Shekinah – were thought to dwell. Langdon needed a minute to find his words. â€Å"The verse does point here to Rosslyn. Completely. Perfectly.† Marie smiled. â€Å"Apparently.† The implications chilled him. â€Å"So the Holy Grail is in the vault beneath us?† She laughed. â€Å"Only in spirit. One of the Priory’s most ancient charges was one day to return the Grail to her homeland of France where she could rest for eternity. For centuries, she was dragged across the countryside to keep her safe. Most undignified. Jacques’s charge when he became Grand Master was to restore her honor by returning her to France and building her a resting place fit for a queen.† â€Å"And he succeeded?† Now her face grew serious. â€Å"Mr. Langdon, considering what you’ve done for me tonight, and as curator of the Rosslyn Trust, I can tell you for certain that the Grail is no longer here.† Langdon decided to press. â€Å"But the keystone is supposed to point to the place where the Holy Grail is hidden now.Why does it point to Rosslyn?† â€Å"Maybe you’re misreading its meaning. Remember, the Grail can be deceptive. As could my late husband.† â€Å"But how much clearer could he be?† he asked. â€Å"We are standing over an underground vault marked by the blade and chalice, underneath a ceiling of stars, surrounded by the art of Master Masons. Everything speaks of Rosslyn.† â€Å"Very well, let me see this mysterious verse.† She unrolled the papyrus and read the poem aloud in a deliberate tone. The Holy Grail ‘neath ancient Roslin waits. The blade and chalice guarding o’er Her gates. Adorned in masters’ loving art, She lies. She rests at last beneath the starry skies. When she finished, she was still for several seconds, until a knowing smile crossed her lips. â€Å"Aah, Jacques.† Langdon watched her expectantly. â€Å"You understand this?† â€Å"As you have witnessed on the chapel floor, Mr. Langdon, there are many ways to see simple things.† Langdon strained to understand. Everything about Jacques Sauniere seemed to have double meanings, and yet Langdon could see no further. Marie gave a tired yawn. â€Å"Mr. Langdon, I will make a confession to you. I have never officially been privy to the present location of the Grail. But, of course, I was married to a person of enormous influence†¦ and my women’s intuition is strong.† Langdon started to speak but Marie continued. â€Å"I am sorry that after all your hard work, you will be leaving Rosslyn without any real answers. And yet, something tells me you will eventually find what you seek. One day it will dawn on you.† She smiled. â€Å"And when it does, I trust that you, of all people, can keep a secret.† There was a sound of someone arriving in the doorway. â€Å"Both of you disappeared,† Sophie said, entering. â€Å"I was just leaving,† her grandmother replied, walking over to Sophie at the door. â€Å"Good night, princess.† She kissed Sophie’s forehead. â€Å"Don’t keep Mr. Langdon out too late.† Langdon and Sophie watched her grandmother walk back toward the fieldstone house. When Sophie turned to him, her eyes were awash in deep emotion. â€Å"Not exactly the ending I expected.† That makes two of us, he thought. Langdon could see she was overwhelmed. The news she had received tonight had changed everything in her life. â€Å"Are you okay? It’s a lot to take in.† She smiled quietly. â€Å"I have a family. That’s where I’m going to start. Who we are and where we came from will take some time.† Langdon remained silent. â€Å"Beyond tonight, will you stay with us?† Sophie asked. â€Å"At least for a few days?† Langdon sighed, wanting nothing more. â€Å"You need some time here with your family, Sophie. I’m going back to Paris in the morning.† She looked disappointed but seemed to know it was the right thing to do. Neither of them spoke for a long time. Finally Sophie reached over and, taking his hand, led him out of the chapel. They walked to a small rise on the bluff. From here, the Scottish countryside spread out before them, suffused in a pale moonlight that sifted through the departing clouds. They stood in silence, holding hands, both of them fighting the descending shroud of exhaustion. The stars were just now appearing, but to the east, a single point of light glowed brighter than any other. Langdon smiled when he saw it. It was Venus. The ancient Goddess shining down with her steady and patient light. The night was growing cooler, a crisp breeze rolling up from the lowlands. After a while, Langdon looked over at Sophie. Her eyes were closed, her lips relaxed in a contented smile. Langdon could feel his own eyes growing heavy. Reluctantly, he squeezed her hand. â€Å"Sophie?† Slowly, she opened her eyes and turned to him. Her face was beautiful in the moonlight. She gave him a sleepy smile. â€Å"Hi.† Langdon felt an unexpected sadness to realize he would be returning to Paris without her. â€Å"I maybe gone before you wake up.† He paused, a knot growing in his throat. â€Å"I’m sorry, I’m not very good at – â€Å" Sophie reached out and placed her soft hand on the side of his face. Then, leaning forward, she kissed him tenderly on the cheek. â€Å"When can I see you again?† Langdon reeled momentarily, lost in her eyes. â€Å"When?† He paused, curious if she had any idea how much he had been wondering the same thing. â€Å"Well, actually, next month I’m lecturing at a conference in Florence. I’ll be there a week without much to do.† â€Å"Is that an invitation?† â€Å"We’d be living in luxury. They’re giving me a room at the Brunelleschi.† Sophie smiled playfully. â€Å"You presume a lot, Mr. Langdon.† He cringed at how it had sounded. â€Å"What I meant – â€Å" â€Å"I would love nothing more than to meet you in Florence, Robert. But on one condition.† Her tone turned serious. â€Å"No museums, no churches, no tombs, no art, no relics.† â€Å"In Florence? For a week? There’s nothing else to do.† Sophie leaned forward and kissed him again, now on the lips. Their bodies came together, softly at first, and then completely. When she pulled away, her eyes were full of promise. â€Å"Right,† Langdon managed. â€Å"It’s a date.† How to cite The Da Vinci Code Chapter 105, Essay examples

Discuss how Shakespeare uses language and dramatic devices in Act 2 Scene 2 Essay Example For Students

Discuss how Shakespeare uses language and dramatic devices in Act 2 Scene 2 Essay Following Act 1 Scene 5, where Romeo and Juliet met at the Grand Capulets Ball, the two meet again in Act 2 Scene 2. During Act 2 Scene 2, commonly known as the balcony scene, Romeo passes to the Capulets Mansion in search of Juliet. On locating her, he stays hidden, witnessing the declaration of Juliets love for him. He overhears her talking aloud of her own love for him, and her concern about the fact that he is a Montague, born of a family that are enemies to her own household: wherefore, or why, she asks herself, could he not have been born with any other name? Shortly after, he reveals himself whilst Juliet, above him on the balcony, is shocked and fears for his safety. However, Romeo persists in attempting to woo her and both are eager to discuss their love for one another. Theyre clearly love-struck and arrange to be married within the following day. They reluctantly part before being interrupted by Juliets Nurse. Throughout the scene, Romeos language is poetic and religious in comparison to previous scenes. His extravagant sentences show his true, genuine love for Juliet. He uses metaphors including: O speak again, bright angel He refers to her as a bright angel against a dark sky. Prior to meeting her, darkness was not just over his head, it was in his heart. Now, he is separated from the dark sky by his vision of Juliet. She signifies purity being a virgin, and her beauty and goodness. Alternatively, her angelic figure could be seen symbolically as foreshadowing her later death. shes above Romeo, theres a correlation to her being above him on the balcony and her being out of Romeos reach; this is a warning to him as he shouldnt be anywhere near her. Romeos emotive language changes dramatically when he meets Juliet; again, it is far more poetic and is such a contrast to how he spoke about his previous love, Rosaline. Earlier in the play (in Act 1 Scene 1), while describing his love for Rosaline, he says, Why, then, O brawling love! O loving hate! these two contradictory phrases known as oxymorons prove how Romeos perspective of love then was simply lust for Rosaline. The word brawling effectively is language of war, not expected language of love. In particular, loving hate suggests how his love for Rosaline was not genuine, it was lust. Whereas, in Act 2 Scene 2, he uses phrases such as dear saint towards Juliet, this religious language differs from the way he spoke beforehand. The word Saint in the Elizabethan era was a word regularly used as the church dominated topics of discussion, being such a controversial subject (Catholic and Protestant rivalry). Saints are often as having halos, which is a symbol of their holiness, moreo ver, Juliets innocence and goodness. Romeos emotions change during the play in a very sudden and abrupt way. Shakespeare uses this to emphasize Romeos character, language and action whilst enhancing his emotions, along with the use of courtly love. use of hyperboles is key to this. The very first line of the scene, Romeo says, He jests at scars that never felt a wound. Romeo is talking about Mercutio joking about something he has never felt, which obviously would have irritated him, consequently he would have used a very bitter tone. This is not normally defined as language of love, especially with the body language and facial expressions the actor would have used to show this. He is talking about love but uses words that convey pain and suffering. It is the east, and Juliet is the Sun. In this line Romeo is talking about Juliet rising like the sun. Romeo thinks Juliet is the sun of his life which he depends on for life. This metaphor becomes influential to the rest of the play in that he views her as the giver of light, above him, and again, out of reach, which essentially relates to the main plot and their forbidden love. Though it is late at night, Juliets surpassing beauty makes Romeo imagine that she is the sun, transforming the darkness into daylight. Romeo likewise personifies the moon, calling it sick and pale with grief at the fact that Juliet, the sun, is far brighter and more beautiful. Romeo then compares Juliet to the stars, claiming that she eclipses the stars as daylight overpowers a lamp her eyes alone shine so bright that they will convince the birds to sing at night as if it were day. Christmas Carol EssayLater on in the scene, Juliet speaks in depth about Romeo, and his name. She repeats the word name on five different occasions. Tis but thy name that is my enemy this shows she thinks of Romeo in individual terms yet the name he possesses is of enemy to her family, and thus her love for him overrides her familys hatred for the Montague name. Shakespeares repetition of the word name really illustrates how this is such an important matter to Juliet, living with such controversial matters. Following this, she mentions, Whats in a name? That which we call a rose. By any other word would smell as sweet referring to Romeo and his name, saying that he would still be as sweet and beautiful if he were called by another name. Likewise, a rose would still be as sweet-smelling and beautiful if it had a different name, however, in referring and comparing Romeos name to being a Rose, theres the fact that there are sharp, needlelike thorns on the rose, conjuring up the image that these are signs of warning about their new-found love. Following this, Romeo pronounces This bud of love, by summers ripening breath, may prove a beauteous flower when we next meet. The opening metaphor conjures up the image that their love is young, innocent, and pure in need of the chance to let their love bloom. Relating to a previous paragraph, he needs her the sun to be there, without her, their love cannot bloom. Juliets desperate need for Romeos word that he loves her, is evident as she puts a straight forward question to him: Dost thou love me? In comparison to the nature of Romeos questions, shes distinctly fearful and in need of his reassurance, noticeably without the somewhat confusing language he may have used earlier. I believe Shakespeare has used this technique of short, to the point questions and clauses, to convey Juliets feelings. However, again, Romeo uses lengthy, romantic answers, while he swears by the moon that he loves her. Romeos exaggerated, deep language, clouded with poetic imagery in some ways is shown to irritate Juliet (looking for direct, rational answers from Romeo) as he swears by the moon which provokes the reply O, swear not by the moon, thinconstant moon, that monthly changes in her circle orb, lest that thy love prove likewise variable. Juliet is concerned that by swearing on the variable, undependable moon, their love will be destined to follow the same path, with Romeo becoming unreliable. She clearly wants and needs a stable relationship if shes going to take such an enormous, life-changing risk. He hasnt proved too reliable yet as he forgot Rosaline so quickly. An effective technique Shakespeare has used is how Juliet interrupts Romeo before it is possible to begin his speech fully, If my hearts dear love - indicating her frustration and intolerance with his extravagant language, solely wanting a simple answer. Further in the scene, Juliet is forced to interrupt Romeo in the midst of his replies to her realistic, practical questioning. The dramatic devices, along with stage directions, would be vital in order to engage the audiences attention. Some of the language used has other forms of innuendo or hidden meanings including: Whats a Montague? It is nor hand nor foot, nor arm nor face, nor any other part belonging to a man. This would help to catch the attention of the audience during the Shakespearean era. On parting, prior to the end of the scene, both Romeo and Juliet retire slowly, and reluctantly as Juliet is called by her Nurse. It is therefore obvious they are both love-struck and do not wish to part. Also, beforehand, they had say goodnight more than once Good night, good night!, O blessà ¯Ã‚ ¿Ã‚ ½d, blessà ¯Ã‚ ¿Ã‚ ½d night! Romeo is most reluctant to leave Juliet, and her presence. In conclusion, theres a great contrast in the language of both Romeo and Juliet, as a consequence of their own fears in such a hasty new relationship. In general, both characters change when they meet again in Act 2 Scene 2; Romeos language becoming much more poetic and positive, and Juliets being more realistic than before whilst at the ball. The forms of dramatic devices used vary for effect, but heavily influence the mood in the play, and the characters feelings. Imagery used such as similes, metaphors and personification contribute to the effect of this scene in particular.